SON OF THE NORTH: Jack Nthigah (every Sunday) Archives - http://theyouthingmagazine.co.ke/category/son-of-the-north-jack-nthigah-every-sunday/ Sat, 27 Jun 2020 19:53:58 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 https://theyouthingmagazine.co.ke/wp-content/uploads/2025/07/cropped-Youthing-Logo-32x32.png SON OF THE NORTH: Jack Nthigah (every Sunday) Archives - http://theyouthingmagazine.co.ke/category/son-of-the-north-jack-nthigah-every-sunday/ 32 32 THE CUT https://theyouthingmagazine.co.ke/2020/06/28/the-cut/ https://theyouthingmagazine.co.ke/2020/06/28/the-cut/#comments Sun, 28 Jun 2020 00:36:03 +0000 https://theyouthingmagazine.co.ke/?p=4776 incompleteness of life they all go through. The lingering search for innocence that was taken from them. The memories of the painful cut. The fierce grip and tremble under their gaze as they watch what's being done to them. The masking of their faces and soul knowing that they will live forever like that.

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Turning the steep bend around my grandma’s house, near that God-forsaken tree ,the gloominess is so strong I feel it even now. The suddenness of the vista and the impassive canopy bring back sounds and scents. For a split second, I consider how confronting this image is, how hard it is for it to vanish from my memory. Somehow with that one view, it all comes back, flooding my mind and overwhelming my heart. I’m engulfed by pain.

It happened when my mother was away and my sister and I were under the custody of our relatives. This very morning, my aunt showed up at school which was unusual. They had told my sister that it was ‘her time’, of which as a genius kid I put 2 and 2 together and figured out what they meant, that crushed me. I really loved my sister and couldn’t bring myself to believe that this was going to happen to her. It was my cousin’s time too, she was only eight years old. I had no choice but to follow them, I was pretty sure she couldn’t have handled the pain. It didn’t matter that the headmaster saw me leaving school, it was my sister after all.

The woman who was going to “cut” them was my grandmother’s sister and she was going to do her job at her usual spot since she was a renowned “cutter”. As I followed them from afar, I could hear screams, lots of horrible screams. The girls were crying. It was scaring, for a moment I wanted to leave but I just had to be there for my sis.The girls flowing out, all stumbling and with stretched foreheads caused by the pain. Then it happened, a scene that broke me, carried out by my auntie was my sister. Broken, tears all over her face. I could imagine the turmoil she was going through but I did nothing.

I imagined the emptiness of fear, that incompleteness of life they all go through. The lingering search for innocence that was taken from them. The memories of the painful cut. The fierce grip and tremble under their gaze as they watch what’s being done to them. The masking of their faces and soul knowing that they will live forever like that. Their pains never expressed and the scars forever inflicted.

Staring at her grave now makes me realize that the society will never change unless we did otherwise. While legislation and enforcements provide a solid basis for tackling the problem, additional measures are needed to encourage communities to abandon the practice. The people and societies should jointly support grassroots efforts that unite community leaders, schools, parents and local non-governmental organizations to protect girls from harm.

Let’s stop FGM.

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MARSABIT: THE CRADLE OF MANKIND (part 1) https://theyouthingmagazine.co.ke/2020/06/21/marsabit-the-cradle-of-mankind-part-1/ https://theyouthingmagazine.co.ke/2020/06/21/marsabit-the-cradle-of-mankind-part-1/#comments Sat, 20 Jun 2020 22:34:46 +0000 https://theyouthingmagazine.co.ke/?p=5202 Coming back to this town I tend to relapse into old ways and routines. Around me, boys sleep with the same girls and call...

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Coming back to this town I tend to relapse into old ways and routines. Around me, boys sleep with the same girls and call it “zero grazing”; There are animated, khat-fuelled conversations in a shop, a khat base or a friend’s room – a cager. Life, in its laidback bubble, seems to lack both creativity and originality; it is a time-warped reproduction of the past.

Wedding parties, like karaoke nights, blast hits from the seventies and eighties, Ethiopian hits are replayed, tweaking old music on new guitars and still failing to match the metre of its past glory. Even so, I attend weddings, dance for hours around dusty amplifiers perched precariously on rickety chairs and loudspeakers mounted on trees; we dance with neighborhood girls, six boys to a girl.

Those who were born in the town, second and third generations, interpret it in their own images. One says “This town is a ship sailing on water”.  Another, with a mirthful chuckle, “This town is a midget carrying a 200 litre drum full of worries.”

Our grandparents still hold a fond memory of the colonialists. Some, even now, in the face of political anxieties, say that Kenya should go back to administration by white people. To them the current form of Marsabit is not what they conceived it to be eighty years ago.

To our parents, it was easy to see the despair beyond their nostalgia, easy to excuse their virtuosity, the airs of people who had lived in better times and better versions of the current Marsabit. Their past, with its drive and pride could be examined in black and white: pictures of impeccable young men in Afros and pressed suits, bell bottoms and platform shoes, or with beards rolled and hair parted in Victorian fashions. Their sepia toned memory, worldly knowledge and better English all regressed into another world; it was no longer needed. They sit watching the present unfolding, retired and tired of the confused momentum of restlessness. Even when they speak, no one seems. to heed their advice. But as time rearranges events and shapes the town, it is easy to be caught up in the nostalgia of older generations, to want to capture or re-enact the glory of the past – the pre-NGO days.

I walk around town, aware of scorn, treading with caution. I imagine the conditions necessary to map a new trajectory for the town. Growth for Marsabit portends the loss of purity, of being spoilt. People, whose love of the place is pegged to nostalgia, worry about a rural idyll being replaced with a congested, noisy and dirty place. They wish to protect Marsabit from the capitalistic restlessness of the outside world. They wish for it to remain the same: serene; pristine; secretly praying that the place will retain its old austere beauty. Effective for its needs.

In Marsabit, NGO signboards compete for attention on the few roundabouts. There is no newness to most of the buildings, or care; the structures stand there in the confusion of a hurried imagination. All the buildings bear a singular focus on retail frontage and pedestrian verandahs. Even the new storeyed structures, those that defied decades of worry that “this soil cannot support storeyed buildings” stand out sorely; out of sync with tradition and the symmetry of history.

The town has grown beyond its infancy, beyond its original plan. Filmmakers say that Marsabit has the best kept wildlife anywhere in Africa. But now even the old graveyard once on the periphery of the town is slowly becoming a central location. The old side of town with its vestiges of Indian architecture, high roofed corrugated iron structures and Somali names, only hint at the town’s humble beginnings.

Now, the iron shacks come as an inevitable appendage, an new story of overcrowding, of unemployment. The iron structures, khat bases, with loose door curtains fluttering in the wind and a blended scent of coffee and burnt incense coming from within, house miraa (khat) dens. Boys come out of their homes and chew their days away. Many of the iron shacks are run by divorced women, very coy. They know how to entertain, to keep a regular number always coming back.

There are no parking spaces. No public latrines. Every space was allocated to individuals in the 90s by flipping a coin or through a simple raffle of papers marked yes or no.

Hyenas come out of the forest every night from around 9pm. This is a reminder of the past; the hyenas have maintained a memory that it was only a few decades ago this town was a forest, a scavenging ground.  Even now they walk in packs to pick bones from its garbage and prey on stray dogs..

A hundred years of growing to become a town gave Marsabit a fragmented outlook; not as a monolithic space or cultural melting pot, but as single units of other places.

Facing Kenya, people still say “we are travelling down Kenya”.  Or, when you come back from other parts of the country, they ask you “how is Kenya?”


To be continued….

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WONDER WOMAN https://theyouthingmagazine.co.ke/2020/06/14/wonder-woman/ https://theyouthingmagazine.co.ke/2020/06/14/wonder-woman/#comments Sun, 14 Jun 2020 05:47:03 +0000 https://theyouthingmagazine.co.ke/?p=5065 At just over five feet tall, she is the kind of woman that you see on the street and know to move out of her...

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At just over five feet tall, she is the kind of woman that you see on the street and know to move out of her way. Her demeanor is strict, her hands tied with thick black veins, criss­crossing over her long, strong fingers.

I remember holding her hands as a child, how delicate and soft they seemed and yet that never made them seem any less worn or sturdy. Her hands told stories of struggle and hardships. She had grown up ages before  i ever came to exist, in a different generation, at a different time, in an era and a life that I would never know.

Growing up under her made me the man I am today.I thought it was her  being cheap but as I grew older, I realized that she wasn’t teaching me about money, but about tradition and hard work and family. The money was insignificant, I would probably spend it on some meaningless snack or toy that I would lose soon after, it was the meaning behind her gifts that mattered. It was her saying, ‘I love you; I am your family and I want you to work hard as your family has before you.’

She inspired me to be something great one day and to never give up trying. Though she may be growing into her elderly years she has lived a very challenging, joyful, loving and successful life. She is a woman of great faith and character, she is my granny.

I see her every day. I see her in the women around me and in the mirror. She lives with me, inside me, and in the legacies that I will create. And I know, she will be proud for as long as she lives.
Mary Wambeti Rugano, my grandma.

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